CRTE Studio is where the filming happens. You book a crewed shoot day at our Los Angeles studio or on location, and we direct, light, film and edit brand films, product video and vertical social cutdowns from that session.
Request a quote. Westlake Village studio, by appointment.
Video & Brand Films days are run by the same photographer start to finish — the person who lights the set is the person who delivers the retouch.
From a single-day product film to a multi-day brand campaign, we handle direction, crew, gear, and post. Every project ships with the platform cutdowns you actually need — hero, mid, 9:16, 1:1, 6-second bumper.
Deposits and fixed-price sessions, paid by card. Once it clears, the date is yours.
See studio packagesFill the brief for this shoot — then pick a time on the calendar.
A brand film is a production, not a shoot: script, board, crew, schedule, post. The number that matters to you is finished runtime, and the number that matters to us is how many setups we can light before the location goes dark.
Camera, grip, sound and art arrive together. The first setup is lit while talent goes into hair and makeup, which is the only hour of the day with any slack in it.
We shoot the scene the film cannot exist without, first. If the day loses time later, it loses it from coverage rather than from the story.
One location change per day maximum, budgeted at ninety minutes including load-out, travel and relight. Two moves in a day is how a schedule fails.
Card offload and a checksum-verified backup to two drives happens on set, and the director's notes are logged against timecode before anyone leaves.
A rough cut arrives within eight business days, then two revision rounds, grade, mix and final masters land three to five weeks after the shoot.
Lock the script before the crew is booked. Every rewrite after the call sheet goes out is paid for twice, once in production time and again in post, and it is the most common reason a film misses its launch date.
Five-person crew, two locations, nine setups: a 2 minute 20 second hero film, four cutdowns, 34 production stills and subtitles, delivered in four weeks.
Factory floor plus interviews across two days: a 3 minute film, six social cutdowns in three aspect ratios and eighteen b-roll clips licensed for reuse.
One studio day, tabletop motion control: a 30 second spot, three 6 second bumpers and a broadcast-safe master mixed at minus 24 LUFS.
A rough cut is with you eight business days after the shoot, and final masters follow three to five weeks after that depending on how quickly two revision rounds close. Motion graphics, animated titles or an original score extend the schedule by one to two weeks and are quoted separately. When a launch date is immovable we build the post schedule backwards from it at contract stage and name the dates your feedback is due.
You own the finished film outright and may run it in any medium, in perpetuity, worldwide. Two components carry their own terms: licensed music is cleared for the specific uses named in the sync licence, and on-camera talent is bound by their release, which we default to three years across digital and broadcast in North America. Project files, raw footage and stems are archived for twelve months and released on request at no cost.
Studio-led video priced by concept, crew, filming days and the number of cutdowns.
From $2,500
Studio Testimonial
A single interview filmed in-studio with a clean, controlled look.
Concept, script, storyboard, one or two production days, editing, color, sound design, and licensed music. Delivered as a hero film plus social cutdowns.